Hilary Tann(1947)

in Wales, England

Konrad Ewald

When playing the Duo with oboe, one doesn't really find the drive. This is another example of high registers being used outside of the «organic» range. The solo work (originally
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Duo for Oboe and Viola From the Song of Amergin, for Flute, Viola and Harp  The Cresset Stone, for Viola The Walls of Morlais Castle, for Oboe, Viola and Violoncello